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Oil Paintings Come From United Kingdom
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Camille Pissaro
1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.

 

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Camille Pissaro Orchard in Bloom at Louveciennes oil painting

Painting ID::  4339

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Camille Pissaro
Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
   
   
     

 

 

Camille Pissaro Orchard in Bloom at Louveciennes oil painting

Painting ID::  4340

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Camille Pissaro
Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
   
   
     

 

 

Camille Pissaro The Artist's Garden at Eragny oil painting

Painting ID::  4341

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Camille Pissaro
The Artist's Garden at Eragny
1898 29" x 36 3/8" National Gallery of Art, Washington DC
   
   
     

 

 

Camille Pissaro Washerwoman, Eragny sur Epte oil painting

Painting ID::  4342

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Camille Pissaro
Washerwoman, Eragny sur Epte
1895
   
   
     

 

 

Camille Pissaro Apple Picking at Eragny sur Epte oil painting

Painting ID::  4343

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Camille Pissaro
Apple Picking at Eragny sur Epte
1888 Dalla Museum of Art
   
   
     

 

 

Camille Pissaro Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07) oil painting

Painting ID::  20784

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Camille Pissaro
Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)
1887 1' 91/2"x2' 1 1/2"(54.5x65cm) Bequest of Antonin Personnaz
   
   
     

 

 

Camille Pissaro The Church of St.Jacques at Dieppe (san08) oil painting

Painting ID::  20786

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Camille Pissaro
The Church of St.Jacques at Dieppe (san08)
1901 1' 9 1/2"2' 1 3/4"(54.5x65.5cm)
   
   
     

 

 

Camille Pissaro Harfrost (mk06) oil painting

Painting ID::  21094

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Camille Pissaro
Harfrost (mk06)
1873 2' 1 1/2'' x 3' 1''(65 x 93 cm)Bequest of Enriqueta Alsop,1972 RF 1972-27
   
   
     

 

 

Camille Pissaro The Crossroads,pontoise oil painting

Painting ID::  40750

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Camille Pissaro
The Crossroads,pontoise
mj156 1872 Oil on canvas 54.9x94cm
   
   
     

 

 

Camille Pissaro View from Louveciennes oil painting

Painting ID::  43349

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Camille Pissaro
View from Louveciennes
mk170 1869-1870 Oil on canvas 52.7x81.9cm
   
   
     

 

 

Camille Pissaro Unknown work oil painting

Painting ID::  48691

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Camille Pissaro
Unknown work
mk191 1867 91x150.5cm
   
   
     

 

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Camille Pissaro
1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.